Jennifer M. Garrett is a professor of music and director of choral activities at Bakersfield College. She conducts the College Choir and Chamber Singers, teaches Music Appreciation, and is the director of the Applied Music Program for over forty instrumental and vocal students. Under her direction the Bakersfield College Chamber Singers represented the College on a performance tour of Rome, Florence, and Venice, Italy in June 2015.
Dr. Garrett is a popular clinician, adjudicator, guest conductor and serves a member of the National Collegiate Choral Association review committee. She has devoted a great deal of time to accompanying for voice and instrumental lessons, recitals, and juries in Washington, Utah, Nebraska, Arizona, and California. For the past 20 years she has dedicated much of her time and energy to church choirs and her private voice and piano studio.
Before coming to Bakersfield College in 2012 Dr. Garrett taught at California State University Bakersfield.
From 2008-2010 she conducted the Arizona State University Women’s Chorus. Under her direction, the choir grew to record numbers and performed with the Phoenix Symphony and Ballet Arizona.
While in Arizona, she also conducted the Arizona Desert Chorale, which performed for local church and community events throughout the Phoenix area.
From 2000-2004, Dr. Garrett taught at Wasatch High School in Heber City, Utah. When she first arrived at Wasatch the choral program consisted of less than 40 students. After four years the program boasted over 300 students.
Under her direction the choirs received superior ratings at regional and state festivals. During her four years at Wasatch, she was nominated as favorite teacher of the year twice.
Jennifer M. Garrett is a native of Washington state. She has a music education degree from Brigham Young University, a masters in choral conducting from the University of Nebraska Lincoln, and a doctorate in choral conducting from Arizona State University.
She currently lives in Bakersfield, California, with her husband and three amazing daughters.
Professor Gerhold has been teaching music theory and ear training at Bakersfield College since 1994 and is the current Performing Arts department chair. His textbook for beginning music theory entitled A Plain English Guide to Music Fundamentals: An Outcome Based Approach
(Kendall Hunt) is now in its second edition. He has been president of many organizations, including the Music Association of California Community Colleges (MACCC), the KCCD Community College Association (CCA), and the Bakersfield College Academic Senate.
Dr. Gerhold has composed orchestral commissions celebrating the centennial of Bakersfield College and the Grand Re-opening of the Simonsen Performing Arts Center (SPArC) in 2015, the centennial of the City of Bakersfield in 1997, the centennial of Orange County, California in 1987, and hopes to compose for his own centennial in 2065. His degrees include a B.Mus. Magna cum laude in piano and MFA in composition from UC Irvine and a DMA in composition from the University of British Columbia.
His BC honors include being named a Levan Faculty Colloquium Presenter (2013 and 2006 with Ron Kean) and a Levan Scholar (2013), the Levinson Faculty Leadership Award (2007), and the Bakersfield College Innovator of the Year (1995).
Tim Heasley is a visual and performing arts educator based in Central California.
He is currently the director of the Bakersfield College Band and Drumline and has held a variety of positions within the Kern High School District.
Tim has spent his recent summers as a sound engineer for the Madison Scouts (2010-2013), the Santa Clara Vanguard (2014), and as the director of the Golden Empire Drum & Bugle Corps (2014-present). Tim marched baritone with the Sacramento Freelancers from 1992-1994 and with the Crossmen from 1995-1997. His performance career continued as an original cast member of Blast! and Blast II: Mix, performing worldwide from 1999-2006.
Tim earned a BA in Communications with a minor in Art from California State University, Bakersfield in 1997 and holds a California teaching credential in Arts, Media, and Entertainment. His background in media production and experience in the audio/visual industry has gone hand in hand with his work as a freelance visual designer and music editor.
Robert Martinez has enjoyed musical success as a conductor, composer, musician, performer, and educator.
Among the names of artists that Robert has conducted are flutist James Walker (formerly the principal of the LA Philharmonic), classical saxophonist Harvey Pattel, guitarist and multi-Grammy Award winner Laurindo Almeida, and multi-Grammy Award winner vocalist Alan Paul of the vocal group The Manhattan Transfer, soprano Miss Anya Matanovic of the Los Angeles Opera Company, Diva Jennifer Jones of the NY Metropolitan Opera Company, and Symphonic Rock Violinist Terry Glenny.
As a graduate of San Diego State University with a Master’s degree in Music Composition (1975), Robert has been a professor of Music at Bakersfield College, California since 1989. And from 1995 to the present the musical director and conductor of the Desert Community Orchestra of Ridgecrest, the founding music director of the Tehachapi Pops Orchestra, and is currently the Music Director and Conductor for violinist/composer Terry Glenny. Robert Martinez has been inducted into the “Who’s Who Among America’s Teachers”, for Music Education, 2002, 2004, 2005, 2006 and the Cambridge Who’s Who Education Recognition 2007.
Robert has also received the award for outstanding achievements in performing arts and science by the national organization “Heritage of America”, Educational & Cultural Foundation (for arts and humanities), The Day of The Americas, 2004.
Mr. Martinez also served as the President of the Kern County Music Association in 2004, The Conductor’s Guild, The National Academy of Recording Arts and Sciences (The Grammy Awards), and the American Society of Music Arrangers and Composers (ASMAC).
Josh Ottum holds B.A. degrees in Music and Psychology from Seattle Pacific University, an MFA in Integrated Composition Improvisation and Technology from UC Irvine, and is a doctoral candidate in the School of Interdisciplinary Arts at Ohio University.
His dissertation is about background music and the way is constructs particular environmental imaginaries. This research has been presented and the EMP Pop Conference, Society for American Music, and International Association for Popular Music.
Ottum heads up the Commercial Music Program at Bakersfield College, teaching courses in music technology, synthesis, songwriting, and music appreciation. Additionally, he writes music that has been featured on shows such as Mad Men and The Voice along with music for advertisements by Volvo, Nordstrom and others.
Ottum has made several records as a solo artist and with bands and supported these releases by touring extensively, performing in places like Iceland, Germany, France, and all over the United States.
Find out more at www.joshottum.wordpress.com.
Born and raised in Santa Cruz, CA; she currently teaches voice and sings in the Bakersfield Community while pursuing her own career.
This Fall, Ms. Barton will be performing with Los Angeles's The Industry in the premiere of Hopscotch.
She recently returned from spending the summer in Verona, Italy where she participated in Opera Vivá's scene production of La Traviata where she sang under the direction and coaching of Joyce Fieldsend & William Ferarra.
She was the guest artist with the collaboration of the Penderecki String Quartet and Veronika Krauses in Los Angeles's Vision and Voices.
She also participated in the Oakland Temple Hill Interfaith Production of The Lamb of God as Mary Magdalene.
In the summer of 2013, she attended Bay Area Summer Opera Theatre Institute (BASOTI) in San Francisco. She sang the role of Alice Ford from Falstaff under the direction of Maestro Matthias Kuntzch. She also participated in the Scenes Program where she sang Marschallin (Der Rosenkavalier) and Mrs. Page (Sir John in Love).
She sang with Opera San Jose in their 2013-2014 ensemble where they performed Falstaff, Madame Butterfly, and Don Giovanni.
She earned her MM with an emphasis in Vocal Arts from University of Southern California in 2013. She received upon graduating the USC Thornton School of Music Opera Award. In May 2013 for USC Graduation Commencement Ceremony, she had the privilege of singing the National Anthem.
In 2013, she also sang the role of Madame Lidoine from Dialogues des carmélites by Frances Poulenc. In 2012 she had the opportunity to sing Jane Wingrave in the West Coast Premiere of Benjamin Britten’s opera Owen Wingrave under the direction of Ken Cazan and conducted by Brent McMunn. She studied voice under the direction of Elizabeth Hynes, as well as many other wonderful collaborative teachers.
In the winter of 2012, she was a guest artist at Los Angeles Hammer Museum Contemporary Opera Scenes where she collaborated with Conductor Christopher Roundtree and wild Up in The Mortal Thoughts of Lady Macbeth by Veronica Krauses. She was a guest artist at the winter gala for The Harlet Hair Salon in Venice Beach, CA.
In the Winter of 2011 Rebekah debuted her vocal career at Idaho Falls Opera Theatre Company in Suor Angelica.
She earned her BMA in Vocal Performance from Brigham Young University – Idaho in 2011. It was during her attendance in Idaho that she first gained her passion and love for opera, performance and teaching and studied voice under the guidance of Kristine Ciesinski. She had many wonderful opportunities to participate in the scenes programs, travel and compete in The Metropolitan Opera Grand Counsel Competitions. Her first full opera role was performed at BYU-Idaho; The Countess in Mozart’s Le Nozze di Figaro in 2010.
She has participated in other scene programs where she was able to sing partial roles from La Traviata, Madame Butterfly, Faust, Cosi Fan Tutte, Don Giovanni, and The Crucible.
Mr. Cope is a graduate of the Florida State University College of Music guitar curriculum under Bruce Holzman, and later studied with Eliot Fisk, Christopher Parkening, Michael Lorimer and Oscar Ghiglia (direct links to Segovia). He has performed throughout the United States and Canada, Mallorca, and Spain as orchestral soloist, concert performer, recitalist, lecturer, recording artist, and teacher.
Cope premiered contemporary works for guitar written by Americans Paul Elwood, Karen Thomas, David Leonard, and Bertil Van Boer of Sweden, and performed contemporary ensemble music by Mark Applebaum and Lucas Foss. His numerous awards include the Times-News "TED" award as Outstanding Musician of the year. He was a guest artist for the 2005 New York Guitar Seminar at Mannes School of Music in New York. He is a Fellow of the NEA Institute in Classical Music and Opera at Columbia University and for eight years adjudicated the International Classical Guitar Competition at Appalachian State University’s GuitarFest. Recordings for SONARE.
He has been a guitar teacher since 1971, taught college curricula since 1976 focused on enrichment of underserved communities. Formally at Brevard College and CSUB, his students rank among current scholars with academic honors and teaching careers, and include performers with appearances ranging from the traditional recital circuit to the Kennedy Center Millennium Stage.
As Editor of Classical Voice of North Carolina he screened over 1,500 articles for publication, and was previously a free-lance writer. His articles have appeared in Guitar Review, GFA’s Soundboard Magazine, GuitArt International and CVNC.org.
In 1991, James Dethlefson became fascinated with songwriting. Putting down his trombone, he picked up the electric bass.
This led to Fuzzhammer, a power trio that left a lasting impression on the Bakersfield scene by opening the pub at Jerry’s Pizza.
After Fuzzhammer’s demise, James entered the Music program at CSUB and played double bass for numerous Jazz Jam and Coffee house events.
During his brief study with Double Bassists Tom Peters and Pete Scaffidi, James fell in love with Apple’s Macintosh and the freedom associated with digital music. With this new musical tool, James began work with Brian Sivesind’s theatre troupe Illusions of Grandeur contributing sound designs and setting Shakespeare texts to alternative music.
At the same time, he continued his trio work with musically diverse collaborations such as Outside the Head with Kris Tiner and Kevin Goodwin, Free Jazz Kamikazes with Kris Tiner and Brian Palla and the full realization of Shakespearean rock with Wil featuring Kyle Burnham and Joel Walton.
Continuing the work of Wil while incorporating award winning music and sound design from Roger Mathey’s production of Trainspotting, James formed yet another power trio Jamo with Paul Cartwright and Canaan McDuffie.
Since 2011 James, along with his wife Guinevere have run a performing arts production business dedicated to instructing and mentoring youth in live theatre.
Lately, they have expanded their course offerings to include classes on improv and stop-motion animation.
Currently, he serves as Music Technologist for the CSUB Music Department and adjunct Music Faculty at BC.
Dr. Ronald Kean, Emeritus Professor of Music at Bakersfield College, recently retired after completing 30 years of teaching in California. His teaching opportunities included choral and world music, which he taught for 26 years in the Kern Community College District.
He was “Innovator of the Year” for instituting the first Multicultural Choral Music Festival in the United States in 1994, was the 2007 California Music Educators Association Multicultural Educator of the Year, and was awarded the Shirley Trembley Distinguished Teaching Award by his colleagues in 2013.
Professor Kean conducted the Bakersfield Symphony Orchestra plus the combined Bakersfield College Choir and Chamber Singers at the inaugural concert of the Performing Arts Center Outdoor Theater in April, 2015. The Chamber Singers under his direction performed at state, division, and national ACDA conventions.
He is frequently called upon to adjudicate festivals, lecture, and to conduct workshops and honor choirs in the US and abroad.
Recent guest conducting and adjudicating opportunities include choral festivals in Bali, Hawaii, Ireland, USC, Cal Poly State University Pomona, and Santa Rosa Junior College.
Pavane Music Publishers features both the Ron Kean Choral Series and Multicultural Choral Series.
His compositions and arrangements are widely performed throughout the United States and abroad.
Soprano Peggy Sears has appeared as a soloist with the Los Angeles Opera Theater, Arizona Opera Theater, Tucson Symphony Orchestra, Tulare County Symphony, Bakersfield Symphony Orchestra, Bakersfield Musica da Camera, Carmel Bach Festival, Mozart Festival of San Luis Obispo, The Los Angeles Philharmonic Made in Los Angeles Festival, the Pasadena Chamber Orchestra and the Los Angeles Master Chorale at the Dorothy Chandler Pavilion.
She has been a regional winner of both the San Francisco and Metropolitan Opera Auditions and has been active as a recitalist and oratorio performer in California, Arizona, and Hawaii.
Ms. Sears taught on the Voice Faculty at the University of Southern California for ten years.
She taught full-time on the faculty of California State University at Bakersfield for 20 years, where she had a studio of 20 voice students, directed the opera theatre and the jazz choir, taught class voice, diction for singers, Music Appreciation Online, and coached the singers for the musicals.
She retired from full time college work last year and now is adjunct at CSUB and Bakersfield College in studio voice and opera.
Kris Tiner is a California-based trumpet player, composer, and improviser.
His music has been performed on five continents, his 50+ recordings have been enthusiastically reviewed in the international jazz press, and he has performance credits on MTV, NBC, PBS and Comedy Central. Tiner has been recognized with awards from ASCAP, IAJE, the American Composers Forum, Chamber Music America, Montalvo Arts Center, and the Kennedy Center.
He is a member of the acclaimed Empty Cage Quartet, and he collaborates with New York guitarist Mike Baggetta in the duo Tin/Bag. Tiner also performs regularly with the Industrial Jazz Group, Chris Schlarb’s Psychic Temple, pianist Cathlene Pineda, the Los Angeles Trumpet Quartet and the Bakersfield Symphony Orchestra.
He holds an MFA from California Institute of the Arts and a BA in Music from CSU Bakersfield. He has directed the Jazz Program at Bakersfield College since 2004, and serves as the trumpet instructor both at BC and at CSU, Bakersfield.
He has also taught at CalArts, Taft College, and the Academy of Creative Education in Los Angeles.
Tiner is the founder of Epigraph Records, an independent label dedicated to the documentation of new creative music recorded live in Bakersfield.
|John Gerhold (Chair)||firstname.lastname@example.org||FA 62|
|Camilla Anderson (Department Assistant)||email@example.com||FA 69F|
|Jennifer Garrettfirstname.lastname@example.org||PAC 5|
|Timothy Heasleyemail@example.com||PAC 5|
|Robert Martinezfirstname.lastname@example.org||FA 73F|
|Josh Ottumemail@example.com||PAC 115C|
|Kristi Van Koppfirstname.lastname@example.org||adjunct|
|Kimberly Chinemail@example.com||PAC 5|
|Kevin Gangerfirstname.lastname@example.org||Theatre Tech|
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